Album title: I.E.
Release Date: November 2015
11 December – Rich Mix, London
Eivind Aarset is a musician who has succeeded in the difficult task of creating an immediately identifiable sound and marrying it to a will to investigate as many musical possibilities as he can find or imagine. I.E. is his latest and arguably most accomplished album embodying these traits.
The nine tracks that comprise the album are often diptychs or triptychs, structured with clear movements, shifting in tone, colour and mood. Some are divided and set as way markers. And none of this is new to Aarset, yet never has it been so clearly defined.
Aarset’s soundworld has always been one that could be mapped by those willing to explore it (and there are many who have, with a near-obsessive enthusiasm). Where “Dream Logic” was something of an unexpected side-step out of the kind of sound Aarset fans had grown accustomed to, this album is equally so, yet – as usual – feels organically connected to everything he has done.
All the nuances, textures, gestures and signs that appeared on the aforementioned “Dream Logic” remain intact here, but now nestle amid beds of the “traditional” Aarset band sound. This fusion creates a completely new set of surprises, not only in terms of their juxtaposition, but also in terms of their sheer audacity. The result is an album that features a greater variety of sonics than any Aarset has so far released and a greater will to explore his self-creating world even further than before.
The album’s recording methods and locations have been varied in numerous ways, but the majority of the album was recorded live in the studio with the basic quartet (Aarset / Erlien / Holt / Dahlen), then receiving additional overdubs (mainly from Aarset and the brass section, this latter having its arrangements created after the initial recordings). The effect upon the sound is energising, allowing a rawness to remain untouched. This decision was one that was not made based upon some whimsical fleeting notion, but rather was a well-informed choice: the groups’ performances have steadily evolved a cohesiveness that can only come from extremely compatible musicians developing a full understanding and empathy with each other’s playing. Aarset’s Sonic Codex Quartet have ably demonstrated over and over again that they are capable of producing music that sounds equal in scale to a big band. Yet, because they are only a quartet, they are equally capable of branching the music in entirely new directions in a truly fearless and experimental manner. The addition of I.E. to their repertoire options should open entirely new ground for them to explore, giving new fans something to shout about and presenting old fans with a brand new experience they won’t want to miss.