LIVE AT THE JAZZ CAFE NOVEMBER 7th

With support from label mate Anthony Jospeh

“The world needs more musicians like her: Creatively restless and ambitious.”

-NPR Music

 “a singer-songwriter of searching candor and an electric bassist of mesmerizing skill”

– New York Times

“stunningly beautiful” – Los Angeles Times

“Quiet yet mighty music” – The Washington Post

Mercurial and masterful, Meshell Ndegeocello has survived the best and worst of what a career in music has to offer. She has eschewed genre for originality, celebrity for longevity, and musicals trends for musical truths. She has lived through the boom and bust of the industry and emerged just as she entered – unequivocally herself. Fans have come to expect the unexpected from Meshell, and faithfully followed her on sojourns into soul, spoken word, R&B, jazz, hip-hop, rock, all bound by a lyrical, spiritual search for love, justice, respect, resolution, and happiness.

Groove driven, infectiously melodic and lyrically meditative, Meshell’s latest album, Comet, Come To Me, finds her returning to the same well of creativity that launched her career. Her 11th release, it is possibly a culmination of all previous work: lush, vocal, seeking, wise, collaborative, and driven by the signature bounce and precise pocket of Ndegeocello on bass. The album features special guests Shara Worden (My Brightest Diamond) and Doyle Bramhall, along with long-time collaborators Christopher Bruce (guitar) and Jebin Bruni (keys), and Earl Harvin on drums. Assured of her place as an authentic musical thinker and an uncompromising artist, Comet continues to discover, examine, and explore all that music has to offer her and how she can return the gift.

“Comet, Come To Me was a little labour but a lot of love. It was made with my favourite collaborators, and it felt good to channel the sounds in my mind after having Nina in residence for a while,” ” says Meshell, referencing her last album, a tribute to Nina Simone. The collaborative process that comes with making an album especially inspires her. “When I’m writing songs and recording the demos, I’m having my own awesome experience in my attic, or on a plane, or in a hotel room, just making my beats on my laptop. Then I get together with these people that I have an intimate musical relationship with, and we bring the songs to life.”

In addition to the twelve new tracks on Comet, Come to Me (15 including the bonus tracks available on her website), fans of Meshell’s will no doubt be intrigued by her cover of Whodini’s “Friends”, a seminal hip-hop track originally released in 1984. Commenting on her inspiration for choosing this song, Meshell explains: “I play with a lot of people who play improvisational music and jazz, and I thought it would be fun to take something that they might think of as easy or straight-forward, and do something different with it. I also like how language is morphing, and ‘friends’ is such a malleable word, I don’t even know what it means anymore.”

In addition to her own recording, Meshell has been expanding her repertoire as a producer, producing three albums in the past year: British/Trinidadian poet and musician Anthony Joseph‘s recent album, Time; Jason Moran‘s Fats Waller Tribute, All Rise: A Joyful Elegy For Fats Waller (due Sept 2014); and a new album by Grammy-nominated Ruthie Foster, also set for release this Autumn.